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Discover beautiful fonts and perfect pairings for your next project. Browse 8,500+ fonts with accessibility ratings.

© 2026 TypeSmith · Robert David Orr

  1. Fonts
  2. /
  3. Serif
  4. /
  5. Old Standard

Old Standard

Old Standard brings classic elegance to your typography with refined serifs that guide the eye through extended reading.

Scroll to explore
Serifby Robert Alessi90% Accessible
Characters846
Glyphs1,015
Typography Tools

Best Ways to Use Old Standard

01

Best Font Pairings for Old Standard

TypeSmith curates 3 expert font pairings for Old Standard, including combinations with Lanze, Modestic Display and Westgate.

Each pairing includes accessibility ratings, expert reasoning, and usage recommendations for web and print design.

Explore 3 Pairings for Old Standard
02

Test Old Standard Font Pairings Live

TypeSmith's interactive testing tool lets you preview Old Standard with any font combination in real-time, optimized for serif characteristics.

Adjust font sizes, weights, and see live typography specimens including editorial layouts, code editors, and UI components.

Test Old Standard Pairings Live

In Context

Old Standard Specimen Gallery

EditorialUI ComponentsPosterWordmark

Old Standard Editorial Specimen

Old Standard in Editorial Context

Old Standard is a serif typeface by Robert Alessi suited for editorial layouts and long-form reading.

Robert Alessi

Typeface Designer • Serif

Old Standard demonstrates editorial readability through balanced proportions and consistent stroke weight. As a serif typeface, it delivers clear letterforms that sustain reader engagement across extended passages of text.

The weight range of Old Standard supports typographic hierarchy within editorial layouts. Headline weights establish visual anchors while lighter weights maintain comfortable reading rhythm in body text columns.

Designed by Robert Alessi, Old Standard balances personality with function — providing enough character to establish visual identity without compromising the legibility that editorial contexts demand.

Old Standard
ProductsSolutionsResourcesPricing

Old Standard Typography

A serif typeface for UI components.

Active2 weights available
DefaultInfoSuccessWarningError
Old Standard Specimen

Old Standard

Old Standard is a serif typeface by Robert Alessi built for display contexts.

2 WeightsSerif Typeface
Available on TypeSmith

Wordmark Explorations

Old Standard
Old Standard
OLD STANDARD
OLD STANDARDTYPE
O

Tagline Pairings

Old Standard— serif typeface
Old StandardBy Robert Alessi
Old StandardTYPE

Editorial

Magazine-style headline and body text layout

Character Set

Old Standard Glyphs & Characters

Size48
Showing 62 of 187 charactersDouble-click to copy • Click for details
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789

Type Scale

Display Sizes for Old Standard

Heading Level 1<h1>
64px
Bold
72px
Old Standard primary headline
Heading Level 2<h2>
48px
SemiBold
56px
Old Standard section heading
Heading Level 3<h3>
32px
Medium
40px
Old Standard subsection title
Heading Level 4<h4>
24px
Regular
32px
Old Standard content heading
Heading Level 5<h5>
18px
Regular
26px
Old Standard minor heading
Heading Level 6<h6>
14px
Medium
20px
Old Standard smallest heading
Font SizeWeightLine Height
Body Copy

Old Standard Body Typography

TypeSmith provides optimized body text specifications for Old Standard, including recommended sizes, line heights, and letter spacing for long-form content. These settings ensure maximum readability across devices and screen sizes.

Old Standard demonstrates exceptional body text performance with balanced proportions and consistent stroke widths that enhance readability across paragraph lengths.

When setting Old Standard for body copy, TypeSmith recommends these optimized specifications. The carefully tuned metrics ensure comfortable reading at extended lengths while maintaining the typeface's distinctive character.

Old Standard small text sizes retain legibility through well-defined letterforms. Caption and footnote applications benefit from the font's clear x-height and open counters.

ElementWeightSizeLine HeightTrackingPreview
Body TextRegular16px24px0.5pxOld Standard delivers excellent readability for body copy
ItalicizedRegular Italic16px24px0.5pxOld Standard italic provides elegant emphasis
BoldBold16px24px0.5pxOld Standard bold creates strong visual hierarchy
Small CapsRegular16px24px0.5pxOld Standard typography specimen
Secondary TextMedium14px20px0.5pxOld Standard typography specimen
.your-class { font-family: 'Old Standard'; }

Quick Start

How to Embed Old Standard in Your Project

HTML Link Tag

Add to your <head> section

<link href="https://fonts.bunny.net/css?family=Old+Standard:400,700&display=swap" rel="stylesheet">

CSS @import

Add at top of your stylesheet

@import url('https://fonts.bunny.net/css?family=Old+Standard:400,700&display=swap');

CSS @font-face

Self-host the font files

@font-face {
  font-family: 'Old Standard';
  src: url('https://fonts.googleapis.com/css2?family=Old+Standard:wght@400;700&display=swap');
  font-display: swap;
}

Implementation

Using Old Standard in CSS

Standard CSS

css

Apply directly to any CSS class or selector.

1.my-text {
2 font-family: 'Old Standard', sans-serif;
3 font-weight: 400;
4}

SCSS Variable

scss

Define once, use throughout your stylesheet.

1$font-primary: 'Old Standard', sans-serif;
2
3.my-text {
4 font-family: $font-primary;
5}

Tailwind CSS

config

Configure once, apply with utility classes.

1// tailwind.config.js
2module.exports = {
3 theme: {
4 extend: {
5 fontFamily: {
6 'old-standard': ['Old Standard', 'sans-serif'],
7 },
8 },
9 },
10}
11
12// Usage in HTML
13<p class="font-old-standard">Your text here</p>

About

Inside Old Standard

Robert Alessi
Serif
Open Source

Old Standard serif typeface delivers elegant didone antiqua forms with Cyrillic support through a comprehensive family suited to classical international publishing. Robert Alessi's design provides sophisticated character for literary typography, academic documents, and formal publications. The didone proportions add elegant contrast while Cyrillic support addresses Eastern European needs. Old Standard's classical aesthetic serves publishers, academic institutions, and cultural communications. Both display and body text benefit from balanced proportions. Pair with a geometric sans-serif for modern contrast.

Old Standard comes from the work of Robert Alessi. The typeface brings careful attention to typographic detail, visible in its letterform construction and optical balance.

As a Serif typeface in the Vox-ATypI Classicals classification, Old Standard features bracketed or hairline serifs terminating each stroke and modulated stroke contrast from axis of stress. These optical characteristics make it well-suited for long-form editorial and book typography.

Old Standard is available in a single weight, offering focused typographic consistency for both digital and print applications, with 3 font pairings curated. Extended language support spanning Cyrillic, Greek, and Latin Extended ensures reliable rendering across global audiences.

Old Standard

Typography Judgment

Expert Analysis of Old Standard

TypeSmith evaluates every font across classification, accessibility, and design heritage. This analysis helps designers understand Old Standard's strengths and ideal use cases before committing to a typography decision.

1

Classification

Serif analysis. From a classification standpoint, Old Standard within the Classicals (Humanist, Garalde, Transitional) and Moderns (Didone) tradition, characterized by Bracketed or hairline serifs terminating each stroke and Modulated stroke contrast from axis of stress. Serif letterforms trace to Roman square capitals carved into stone. Key technical strength: extensive weight and optical-size ranges in superfamilies.

2

Accessibility

Readability assessment (grade: 90). Old Standard performs strongly for sustained reading across digital and print contexts. Serifs guide horizontal eye movement along the baseline, making text sizes above 9 pt highly readable in print.

3

Design Heritage

Designed by Robert Alessi. The designer's attention to stroke consistency and typographic color produces a Serif with a single focused weight suited to both digital and print workflows.

Overview

About Old Standard

Old Standard embodies the Classicals typeface, grounded in the tradition where serif letterforms trace to Roman square capitals carved into stone. Its distinctive bracketed or hairline serifs terminating each stroke and modulated stroke contrast from axis of stress make it well-suited for long-form editorial and book typography. TypeSmith features Old Standard in a single weight variant and 3 curated font pairings.

Font Pairings Available
3 curated pairings for Old Standard
View Pairings

Categories

Browse by Classification

DisplayHandwritingMonospaceSans SerifSerif

Explore More

If You Like Old Standard, Try These

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TypeSmith identifies 5 fonts with similar visual characteristics to Old Standard based on classification, x-height ratio, and stroke weight. These alternatives maintain the same typographic personality while offering different weight options and language support.

Aa
Abhaya Libre
Serif
Aa
Gloock
Serif
Aa
Aleo
Serif
Aa
Faustina
Serif
Aa
Alice
Serif

Inclusive Design

Accessibility & Usability

90
Accessibility Score
Excellent Accessibility

Old Standard Accessibility Profile

Old Standard scores in the excellent accessibility tier, making it well-suited for body text, UI labels, and long-form reading across devices. High-contrast Didones can cause halation for readers with astigmatism. Prefer Garalde or Transitional cuts at text sizes for inclusive readability.

Old Standard Legibility Characteristics

Old Standard draws legibility from its bracketed or hairline serifs terminating each stroke and modulated stroke contrast from axis of stress. These characteristics help readers distinguish similar glyphs such as I, l, and 1 at a range of sizes.

Old Standard Reading Performance

Serifs guide horizontal eye movement along the baseline, making text sizes above 9 pt highly readable in print. On screen, hinting quality determines legibility below 14 px. Set body text at 16 px or larger on screen, with line heights between 1.4 and 1.6 for sustained reading comfort.

Old Standard: Comfort in Extended Reading

Old Standard provides a focused weight range that maintains consistent typographic color across paragraphs. High stroke contrast can cause halation for some readers, so pair with ample line spacing on bright backgrounds.

Old Standard Accessibility Recommendations

Maintain a minimum contrast ratio of 4.5:1 for body text and 3:1 for large text when setting Old Standard. Use font sizes of at least 16 px for paragraph copy and line spacing of 1.5 or greater. Test Old Standard at 200% browser zoom to confirm line breaks and layout integrity remain intact.

Getting the Most from Old Standard

Pair with geometric or grotesque sans-serifs for contrast. Avoid pairing two serifs from the same Vox sub-class to prevent visual redundancy. A focused set of pairings helps designers find compatible companions for Old Standard. Establish hierarchy through size, spacing, and color rather than multiplying font families. Serve Old Standard in WOFF2 format with its extended character set to ensure consistent rendering across global audiences.

Get the Font

Old Standard Font Files

Available Weights

400
Regular
Local
400
Regular Italic
Local
700
Bold
Local
700
Bold Italic
Local

Weight Reference

Aa
100
Aa
200
Aa
300
Aa
400
Aa
500
Aa
600
Aa
700
Aa
800
Aa
900

Internationalization

Old Standard Multilingual Support

Extended Latin Coverage
Supports 100+ languages with Latin script

Western European

  • English
  • French
  • German
  • Spanish
  • Italian
  • Portuguese
  • Dutch

Nordic

  • Swedish
  • Norwegian
  • Danish
  • Finnish
  • Icelandic

Central European

  • Polish
  • Czech
  • Hungarian
  • Romanian
  • Slovak

Baltic

  • Lithuanian
  • Latvian
  • Estonian

This font encodes 1653 glyphs covering Latin, Greek and Cyrillic. Latin coverage extends past the basic ASCII set into Latin Extended, so Central and Eastern European languages set correctly. Text outside these ranges falls back to another face in the stack.

Legal

Font License Details

SIL Open Font License (OFL) 1.1
Free for personal and commercial use
View License

What you can do

  • Personal projects
  • Commercial projects
  • Web embedding
  • App embedding
  • Modification
  • Redistribution

Restrictions

  • Selling as standalone

Modified versions must use a different name and be distributed under the same OFL license.

Old Standard is available under the SIL Open Font License (OFL), Version 1.1. This license is a free, libre, and open source license specifically designed for fonts and related software. The OFL allows the fonts to be used, studied, modified, and redistributed freely as long as they are not sold by themselves. This makes Old Standard ideal for web projects, applications, documents, and print materials of any kind.